Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Tuesday, April 19, 2016

Silk by Pruitt


Silk
L.M. Pruitt

Release Date: April 19, 2016

Book Description:

They called it the murder tree.

In 1995, twenty kids went in to the woods. Only three came back.

There are monsters in the woods.

Twenty years later, what happened is still a mystery.

The monsters are back.

Now, the town of Silk faces its greatest threat in over two hundred years. No one is safe.

Not even the monsters.

Available for Pre-Order at Amazon


Monsters in the Woods

Villains are fascinating. Even when they’re horrible, even when they do horrible things, there’s something about the bad guy that draws us to them. It’s why zombies are so popular, why Darth Vader is a cultural icon, why people are pretty much in love with Loki (although that also might have something to do with the actor). Being bad is cool.
So when I started thinking of the individual behind the very horrible things happening in the town of Silk, I was faced with a dilemma. How do I make this person so, so bad that their actions are unredeemable but not so bad that people will automatically hate them?
In the end, I did three things:
1)       I gave them a traumatic childhood experience
2)       I gave them a stifling, stultifying environment
3)       I gave them someone to love
It’s the last one that I believe really drives home the idea that even horrible people aren’t entirely monsterous. It’s also much more terrifying than if a villain didn’t have a heart. It’s easy to write off the actions of a person when they have no redeeming quality—there’s nothing “normal” people can relate to. But realizing that the person responsible for death and destruction and mayhem loves, hurts, cries… all of a sudden the monster isn’t a monster. All of a sudden, they’re human.
And realizing the monster could have been you?
To me, that’s just about as scary as it gets.


 Review:

Wow. If you like a good thriller then this is for you. There are monsters in the woods...and a page turning story to get you reading long past lights out. Interesting characters and a fun plot...I liked it very much! It was so much like one of my horror movies I couldn't put it down.

4/5

 November 1995

They called it the murder tree.
The kids did, anyway. To the adults, those people who no longer believed in ghost stories and things that went bump in the night, it was known as the old Litz tree. The last living monument to the family who founded the town before Georgia was even a state, giving their money and lives in the process.
The adults liked to gloss over that particular part of the story when discussing the history of Mulberry.
The kids preferred to linger on it.
Most of them knew the story of the night the Litz family lost their lives before they were even able to read the decades old textbooks grudgingly provided by the Department of Education. By the time they graduated to junior high, all the kids—the cool ones, at least, the ones you wanted at your party or it wasn’t really a party—had camped out next to the murder tree. More than one high school girl had allowed her boyfriend to “comfort” her in the shadow of the ancient mulberry after listening to the story of the Litz family yet again.
You weren’t a part of Mulberry until you had spent your time at the murder tree.
It was the only reason Elias Crenshaw could think of for why he was freezing his balls off on what was shaping up to be the coldest night of the year.
That and the fact Mandy Jones had promised him she’d be there. The way she’d told him, with just the tiniest smile of her bubblegum pink lips and a flutter of lashes, was enough to keep him warm.
But only for another hour. After that, he was going home. The guys could rag him all they wanted on Monday morning. They’d be the one with bug bites and frozen fingers and all the other stupid things that happened when you spent the night in the frickin’ woods. He’d be warm and rested and all studied up for the big biology exam in sixth period.
Man, if he didn’t get at least a C his parents were going to flip. They’d already been on the fence about letting him camp out the Friday before a test. If he failed, they wouldn’t let him out of the house again until the end of the school year. He’d be the only kid not allowed to go the eighth grade prom.
Mandy Jones would never go out with him if he was the loser kid who didn’t go to the prom.
“Your face is going to freeze like that.”
Elias snorted. “No, it won’t.”
“Yeah, it will.” Shephard Jackson widened her already big brown eyes—bug eyes, Mandy called them—and nodded solemnly. “Cross my heart and hope to die.”
“Probably the wrong thing to say when we’re next to the murder tree.” Elias tilted toward her, leaning in with his whole body before hunching his shoulders and shivering. “What are you doing here? I thought you weren’t allowed in the woods after dark.”
“I’m not.” She huffed out a breath, the puff of frosty air doing nothing to dislodge the white blonde hair seemingly glued to her forehead. She’d bleached it the week before on a dare, just like she’d pierced her nose last month and broken in to the library the month before that. “But that’s Kelly’s stupid rule. She keeps trying to act like she’s my mom or something.”
“Well, she married your dad.” Elias winced when she reached over and smacked him on the back of his head. “Jesus, Shep.”
“You’re not supposed to take her side. You’re supposed to take mine.” She sniffled and swiped her hand under her nose. “That’s what best friends do.”
“Fine, whatever.” When Shep sighed, Elias rolled his eyes. “It’s a stupid rule and she’s a bitch and she should stop trying to act like she’s your mom.”
“Thank you.” The pseudo sniffling immediately stopped and she leaned in to him, her slight frame weighing next to nothing. After a moment, she said, “What are you doing here?”
“Rite of passage.” He nodded at the small group clustered around the carefully constructed fire. Albert had insisted they follow all the safety rules for lighting a fire in the woods, reminding everyone of Smokey the Bear’s immortal saying. “Supposed to be more people coming. Real party.”
“Oh, please.” She scoffed, the harsh exhalation shaking her entire body. “You’re here because Mandy Jones said she was going to be here. Her and her little group. They’re so… ugh.” She shook her head before turning to scowl at him. “You couldn’t fall in love with some girl who can actually have a conversation for longer than five minutes without mentioning cheerleading or makeup?”
“First, I’m not in love with her.” Elias returned her scowl, narrowing his eyes to slits. “We barely know each other.” Truth, even though he’d spent countless hours imagining what it would be like to kiss her. “Second, just because she’s not fighting the power or whatever you do when you’re not pissing off your stepmom doesn’t make her stupid. She’s really smart.”
“Eli, she said it was ridiculous to have the term ‘african-american’ because if you were born in America you obviously couldn’t be from Africa.”
“Well.” He paused, racking his brain for an explanation even as he winced. “You know, there are a lot of adults who feel the same way. Like we should all just embrace our current culture and let of our heritage.”
“Right.” Shep snorted and rolled her eyes. “Whatever.” She jerked her chin at the fire. “Let’s go. Story time.”
“Oh, come on.” He groaned, digging in his heels half-heartedly when she tried to drag him toward the group. They both knew it would be impossible for her to move him unless he helped. She was a hundred pounds soaking wet, barely topping five feet while he’d gained twenty pounds since school started. The only reason he wasn’t as fat as a turkey was the corresponding growth spurt, the new six inches putting him dangerously close to six feet. “Not again. We’ve heard this thing a million times.”
“So this will be a million and one. Come on.” She yanked his arm harder, grumbling something under her breath about ogres. “It’s tradition to tell the story at every campout. Besides….” She trailed off, smiling up at him and batting her lashes. “I’m pretty sure Mandy finally arrived.”
“Well, in that case.” He laughed when she gasped, using her moment of feigned shock to scoop her up and toss her over his shoulder in a fireman’s hold. “You know what’s really great about having you as a best friend? You’re easy to pick up when we’re fighting.”
“You’re such a troglodyte.” Shep pounded on his back with her fists, biting back a scream when he took a step forward. “If anybody sees me, I swear—on my mom’s grave—I will make your life miserable for the rest of the year.”
He paused, not at the threat, but the oath. After a minute, he dropped her back to her feet, brushing a speck of something off the shoulder of her jacket. They stared at each other, the awkwardness of the silence nearly tangible. Finally, he said, “Sorry, Shep.”
“Whatever.” Spinning on her heels, she stomped toward the far side of the group, the laces of her combat boots slithering over the dead leaves like a snake. She slid between Albert and Jacob, sneering at something one of them said. Elias watched for another minute before shoving his hands in his pockets and trudging over to join the growing group.
“Hey, Elias.” Mandy half walked, half skipped up to him as he neared the fire, linking her arm with his. “I thought you were going to spend all night talking to that weirdo.”
“She’s not a weirdo.” The defense was as automatic as breathing. “Her mom died, remember? Like, right in front of her. She’s just, you know, grieving.”
“Right.” Mandy sighed, the sort of huge, exaggerated sigh Elias knew meant annoyance at his supposed ignorance. His older sister made the same noise every time he asked her a question. “Whatever. I didn’t come out to these stupid woods to talk about her.” She smiled at him, the fire casting shadows over her normally light and bright face. “I came to hang out with you.”
“Dude, we’re waiting.” Isiah Graves, Elias’s second best friend—but number one guy best friend, as Isiah was quick to point out—raised his voice to an almost shout. Since he’d been the one to propose the campout, he’d insisted he get to tell the story of the murder tree. Elias didn’t bother reminding him it was a hollow honor. “Story and then party. Rules are rules, man.”
“Nobody cares except for you.” Jacob Wesson had the honor of being the oldest person in the group by a month and the first to have a voice which didn’t crack at random moments. “Just get this boring ass shit over with before I die of fucking boredom.”
“Okay, okay.” Isiah hunched his shoulders and shuffled his feet, shooting a glare around the group at large before straightening to his full height. “The year was 1748. The town of Mulberry was struggling, just as it had been since the Litz family arrived from Germany with a dream of producing silk and other luxury goods.”
“He sounds like a really dorky version of Mr. Young.” Mandy’s breathy whisper smelled like cinnamon and Elias closed his eyes for a split second, inhaling deeply. When he opened them again, she was watching him with a knowing look.
“Everybody else in the town wanted to use the land for rice, something they could use and sell. But the Litz’s refused to give up their dream.” Isiah paused, drawing out the attempt at suspense. “Finally, the people of Mulberry decided enough was enough.”
Even though everybody knew how the story went, how it ended, every last one of them inched closer. The next part of the tale was always told in a voice barely above a whisper, as if the long dead participants would hear and interrupt to correct the teller on some minute point. Tonight was no exception.
“The entire town, everybody except the children, marched out to the Litz homestead. Josiah Litz tried to talk them down, make them see reason, but he failed.” Isiah stepped back and pointed up at a thick limb jutting out from the trunk in a crooked line. “They strung him up here but the fall didn’t break his neck. So he watched while the town slaughtered his entire family.”
He paused again, the group holding its collective breath. The leaves, long dead but stubbornly clinging to their branches, shivered as a faint wind blew through the forest. Mandy moved closer to Elias and he put his arm around her, ignoring Shep’s eye roll.
Isiah waited a beat longer. “Or rather—almost his entire family.
“They forgot the oldest son was returning from New York. Franz Litz had been gone so long, it was possible the town had forgotten he even existed.” Isiah rapped his knuckles on the tree trunk, nodding solemnly. “But Josiah hadn’t. And while he slowly suffocated to death under the weight of his own body, he swore his family would have their revenge. And they did.
“While the town burned the house and the trees and buried the bodies of the Litz family, Franz, who’d witnessed everything from the safety of the woods, rode in to Mulberry.” Isiah stepped back in to the circle, his low voice forcing everybody to move closer in order to hear. “And hung every last child.”
The wind gusted through the woods again, stronger this time, the trees rattling their limbs in protest. Somewhere in the distance, some animal let out a single short cry, quickly cut off by the crunching of something larger and more dangerous. Elias glanced around the circle, surprised at the number of pale faces and large eyes, even as he reminded himself it was only a story.
“The townspeople caught him right after he hung his last victim, a baby barely a month old. They hauled him, kicking and screaming, back to the murder tree.” As one, they turned to look at the ancient mulberry. “Even as they put the rope around his neck, he fought. His last words before the noose broke his neck were ‘A cursed ground bears only poisonous fruit’.”
“Or so they say.” Jacob snorted and shook his head. “Whatever, dude. Stupid story about a whole bunch of dead people.” He nudged Shep with his shoulder and laughed. “Fuck’em. Let’s party.”
The circle broke up in to smaller groups, twos and threes and fours, each cluster wandering away from the murder tree. Mandy gripped Elias’s arm tighter and shivered. “That was so scary, right?”
“Right.” He wasn’t sure if she was being sarcastic or not and the smell of her floral perfume was too distracting for him to try and figure it out one way or the other. “So, uh, did you want to go for a walk or something?”
“A walk?” She laughed and shook her head. “Uh, no.” Still laughing, she slipped away from him, reaching up and pushing her shiny lemon-yellow hair behind her shoulders. “I actually need to go talk to Shanna about the routine for the game tomorrow.”
“Right.” Elias nodded dumbly. “Uh, right. Good luck with that. I’ll just… go… talk to Isiah.”
Elias hunched his shoulders, stalking over to the base of the murder tree. Isiah studied his face, rocking on his heels before sucking air through his teeth. “Man, that was an epic crash and burn. Epic.”
“Shut up.” Elias punched him, pulling back at the last second. Isiah was nearly as skinny as Shep but more fragile looking, as if a good solid blow would break him in two. “She had to go do cheerleading stuff.”
“Cheerleading stuff.” Isiah snorted. “She’s such a fucking tease.”
“Dude, stop.” Elias looked up as another gust of wind shook the branches, a handful of leaves falling down around them like confetti. “Did you have to pick the coldest night ever to do this thing?”
“Nah, that was just luck.” The other boy grinned and attempted to wiggle his eyebrows. “Pretty spooky, right?”
“Whatever.” Elias nudged him with his elbow. “You bring any good snacks or what?”



The crying woke him up.
At first it was just part of the dream. A good dream. A dream where Mandy Jones was dancing with him at prom, telling him how awesome he was and how great he looked and how much she loved him. And then he heard crying but when he looked at Mandy she was still smiling and telling him how she couldn’t wait to kiss him.
“Elias, wake up. Wake up, Elias, wake up.”
“G’way.” He rolled over, smashing his face in the lining of his sleeping bag. “Sleeping.”
Wake up, please, Eli.”
 At the use of his childhood nickname, he rolled back over, opening his eyes until he was able to squint through heavy lids. “Shep?”
“Quiet.” She cupped her hand over his mouth, leaning down and pressing her lips to his ear. When her cheek touched his, he realized the smooth skin was wet. “We have to run before he finds us.”
He tried to speak again, glaring at her in the dark when she dug her nails in to his jaw. After a moment, he realized she was attempting to turn his head. Rather than struggle, he let her, blinking in an effort to get his eyes to adjust to the nearly non-existent light.
At first he thought someone had thrown a sleeping bag over a branch. Stupid kid stuff. But the longer he stared, the less sense that made and the more details he began to see. Like how it—whatever it was—was thinner at the top, like a rope, before becoming pudgy and then narrowing down to a gentle v shape. How it swung back and forth slowly like an overweight pendulum. How it made a wet, gurgling sound which raised the hairs all over his body.
And then the moon broke free of the clouds and Elias realized it wasn’t a sleeping bag. Not even close.
And it wasn’t the only one hanging from the branches of the murder tree.
He started to scramble to his feet—to run or hide or help his friends—only for Shep to yank him back down. Her voice was tight and thin when she said, “They’re dead. They’re all dead. We have to go.”
Nodding dumbly, he let her pull him further away from the tree, deeper in to the woods. She’d begged and pleaded and whined until he’d agreed to sleep next to her, as far away from the fire as possible while still being in the clearing. The tangle of bushes had provided extra coverage against the northern wind, something he’d been thankful for as the fire died down and the cold set in.
“My shoes.” Even though he knew he spoke, he was barely able to hear himself through her hand. “Shep.”
“There’s no time.” As if to prove her point, she stomped her own bare foot on top of his. “Come on.”
In the darkness behind them, someone giggled.
They ran.
Elias glanced over his shoulder, nearly tripping and falling when he saw a fire, this one easily twice as big as the one Albert had so carefully built hours earlier. And standing around it were a half dozen figures, lit by the ghoulish flames.
The faces—long, narrow, big-eyed, slack-jawed, smiling, drooling—were the last things Elias remembered for a very, very long time.




About the Author:
L.M. Pruitt has been reading and writing for as long as she can remember. A native of Florida with a love of New Orleans, she has the uncanny ability to find humor in most things and would probably kill a plastic plant. She knows this because she's killed bamboo. Twice.  She is the author of the Winged series, the Plaisir Coupable series, Jude Magdalyn series, the Moon Rising series, and Taken: A Frankie Post Novel.

Pre-order Giveaway
Order the book before April 18 and receive
a free short story and signed bookmark

Please visit http://www.lmpruitt.org/SILK.php  for details

Tuesday, August 18, 2015

The Suffering by Rin Chupeco



The Suffering
By Rin Chupeco
September 1, 2015; Hardcover ISBN 9781492629832; Trade Paper ISBN 9781492629849
Book Info:
Title: The Suffering
Author: Rin Chupeco
Release Date: September 1, 2015
Publisher: Sourcebooks Fire

Praise for the Suffering:

"Rin Chupeco's The Suffering is a horror lover's dream: murders, possessed dolls, and desiccated corpses. I cringed. I grimaced. You won't soon forget this exorcist and his vengeful water ghost."
--Kendare Blake, author of Anna Dressed in Blood

“Chupeco deftly combines ancient mysticism with contemporary dilemmas that teens face, immersing readers in horrors both supernatural and manmade. The Suffering is a chilling swim through the murky waters of morality.” 
--Carly Anne West, author of The Bargaining and The Murmuring
Summary:

Breathtaking and haunting, Rin Chupeco’s second novel is a chilling companion to her debut, The Girl from the Well.
The darkness will find you.
Seventeen-year-old Tark knows what it is to be powerless. But Okiku changed that. A restless spirit who ended life as a victim and started death as an avenger, she’s groomed Tark to destroy the wicked. But when darkness pulls them deep into Aokigahara, known as Japan’s suicide forest, Okiku’s justice becomes blurred, and Tark is the one who will pay the price…
Buy Links:
Barnes&Noble- http://ow.ly/PrKLh
Books A Million- http://ow.ly/PrL7j
Indiebound- http://ow.ly/PrLXu

About the Author:
Despite uncanny resemblances to Japanese revenants, Rin Chupeco has always maintained her sense of humor. Raised in Manila, Philippines, she keeps four pets: a dog, two birds, and a husband. She's been a technical writer and travel blogger, but now makes things up for a living. Connect with Rin at www.rinchupeco.com.
Social Networking Links:

Excerpt from The Suffering:
It’s still early morning when our group is given clearance to enter. Aokigahara is a deceptive forest. It has all the hallmarks of a popular tourist destination: narrow but well-­maintained hiking trails with a surprising amount of litter, not to mention strips of tape and ribbon wrapped around tree trunks. The leader explains that hikers use them as markers to maintain their bearings. Later on, one of the other volunteers whispers to us that some of the tapes were left by those who came here to kill themselves, in case they decided to change their minds. The revelation horrifies Callie.
A few miles into our hike, anything resembling civilization disappears. Roots crawl across the hard forest floor, and it’s easy to trip if you’re not constantly looking down. We’re outside, but the trees make it feel claustrophobic. They reach hungrily toward the sun, fighting each other for drops of light, and this selfishness grows with the darkness as we move deeper into the woods.
It’s quiet. The silence is broken by the scuffling of feet or snapping of dry twigs as we walk. Every so often, volunteers call back and forth to each other, and rescue dogs exploring the same vicinity that we are will bark. But there are no bird calls, no sounds of scampering squirrels. We’re told that there is very little wildlife in Jukai. Nothing seems to flourish here but trees.
This deep into the woods, any roads and cleared paths are gone. At times, we’re forced to climb to a higher ledge or slide down steep slopes to proceed, and there’s always some root or rock hiding to twist an ankle.
And yet—­the forest is beautiful. I like myself too much to seriously think about suicide, even during my old bouts of depression, but I can understand why people would choose to die here. There is something noble and enduring and magnificent about the forest.
That sense of wonder disappears though, the instant I see them. There are spirits here. And the ghosts mar the peacefulness for me. They hang from branches and loiter at the base of tree trunks. Their eyes are open and their skin is gray, and they watch me as I pass. I don’t know what kind of people they were in life, but they seem faded and insignificant in death.
Okiku watches them but takes no action. These are not the people she hunts. They don’t attack us because they’re not that kind of ghosts. Most of them, I intuit, aren’t violent. The only lives they had ever been capable of taking were their own.
I’m not afraid, despite their bloated faces, contorted from the ropes they use to hang themselves or the overdose of sleeping pills they’ve taken. If anything, I feel lingering sadness. I can sympathize with their helpless anguish. These people took their own lives, hoping to find some meaning in death when they couldn’t find it in life. But there’s nothing here but regret and longing.
And there’s that tickle again, so light it is nearly imperceptible. Something in this forest attracts these deaths. It lures its unhappy victims with its strange siren’s call and then, having taken what it needs, leaves their spirits to rot. A Venus flytrap for human souls.
Something is wrong here, and suddenly, the forest no longer looks as enticing or majestic as when we arrived.

New in Paperback from this Author: The Girl From The Well
Praise for The Girl From The Well:
“[A] Stephen King-like horror story.” -Kirkus Reviews           

“Told in a marvelously disjointed fashion.”  -Publishers Weekly STARRED Review                              

This gorgeously written story reads like poetry.” -Brazos Bookstore                                                                     

Darkly mesmerizing.” -The Boston Globe

“A superior creep factor that is pervasive in every lyrical word.” -Booklist


Summary:
 The Ring  meets The Exorcist in this haunting and lyrical reimagining of the Japanese fable.
Okiku has wandered the world for hundreds of years, setting free the spirits of murdered children. Wherever there’s a monster hurting a child, her spirit is there to deliver punishment. Such is her existence, until the day she discovers a troubled American teenager named Tark and the dangerous demon that writhes beneath his skin, trapped by a series of intricate tattoos. Tark needs to be freed, but there is one problem—if the demon dies, so does its host.
With the vigilante spirit Okiku as his guide, Tark is drawn deep into a dark world of sinister doll rituals and Shinto exorcisms that will take him far from American suburbia to the remote valleys and shrines of Japan. Can Okiku protect him from the demon within or will her presence bring more harm? The answer lies in the depths of a long-forgotten well
Buy Links:
Barnes&Noble- http://ow.ly/PrQFa
Books A Million- http://ow.ly/PrQQU
Indiebound- http://ow.ly/PrQp2

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Friday, February 13, 2015

Grimm Mistresses: S. R. Cambridge


Today we have the second of our Grimm Mistresses series of posts. Please welcome S. R. Cambridge as we delve into the tricky task of making deals with the devil and shape shifters.

1. What inspired your story?
My Grimm Mistresses story, “The Leopard’s Pelt,” is based on one of the lesser-known fairy tales collected by the Brothers Grimm, “Bearskin.” The original tale is fairly dark. The short version of “Bearskin” is that a young man, usually a soldier, encounters the devil and makes a bargain with him. The young man agrees to wear a bear’s pelt and never wash or groom himself for seven years, and if he makes it through, he’ll have riches unimaginable. The bear’s pelt gives out unlimited money. But if he fails or dies during the seven years, the devil will get his soul. (I think the devil really could have made it simpler, honestly.)

Partway through the seven years, by which time the young man is fairly gross, the young man meets a gentleman (an innkeeper or a farmer) and helps him out, and in return, the gentleman tells the young man he will give him one of his three daughters for a bride. The oldest daughters spurn him because’s he’s terrifying and disgusting, but the youngest agrees to marry him and he gives her half a ring.

When his deal with the devil is complete, the young man gets cleaned up and returns to his bride as a rich young gentleman. She doesn’t know him at first, and her sisters get dressed up, since they’re excited about this new prospect. The little sister then recognizes him by his ring. When the older sisters see him and realize what they gave up, they kill themselves out of rage and envy. The devil is pleased at this turn of events, for he’s received two souls for the price of one.

My story doesn’t have men bartering off their daughters or sisters so foolish as to commit suicide over not snagging a man, but I’ve tried to be faithful to the general plot and tone of the original fairy tale. In my story, the young man is a poor sailor lost during World War II, and it’s meant to be a bit vague whether his deal with the devil is real, or a result of PTSD (which was an unnamed and poorly understood thing at that time). The young bride is a bookish student, and the older sisters hopefully aren’t so shallow, but nonetheless might, in the end, find their souls in peril.

2. As a woman in horror, do you find any added pressure?
Not yet! I’d like to believe that gender is mattering less, though I suppose we’re not totally there.

3. Name three things on your desk right now.
A stack of unopened mail, a dying orchid (I’m a notorious plant-murderer) and a fat, happy cat.

4. Who are some writers that have influenced your work?
It’s hard to pick one, because I read very widely, and I think I’m influenced a tiny bit by everything I read. My favourite author of all time is Margaret Atwood. She is just a stone-cold boss, and her writing is so wonderful. In the context of fairy tales, I love Angela Carter’s The Bloody Chamber, which is a collection of beautiful shorts inspired by fairy tales: just as dark as the originals, but rather more focused on the female characters, and their agency.

5. Tell us what your future plans are? Any novels in the works?
I always have stuff on the go and I’m hoping to publish more in 2015. I have another story coming out in another anthology, Ragnarok Publications’ Blackguards, a bit later this year. It’s called “The Betyár and the Magus” and it’s set in an alternate, 19-century Hungary.

6. If I were your favorite dessert what would I be?
A butter tart. Butter tarts are a Canadian thing. Basically, they’re baked tarts filled with butter, sugar, egg and syrup. They are terrible for you, and they are glorious.

7. What would  you tell writers new to the horror genre?
I’m no veteran, so all I can say is keep writing. It’s like any other skill, in that the doing is what makes you better and better at it. Sometimes I’ll look at things I wrote a long time ago and think, Well, that’s a load of hot garbage, but you learn from writing bad things, and nothing is completely unsalveagable.

8. Plotter or pantster?
Plotter. I’m hopelessly nerdy that way, and I do research quite a bit, especially when writing something set in the past. Without the Internet, in particular Wikipedia, I’d be lost. I can’t deal with having anachronisms!




Excerpt:
And one morning at the pond, as he knelt down to fill his canteen like he always did, his joints popping like an old man’s, his head bent toward the water, he was suffused with the sense that he was no longer alone.
Henry looked up, and she was there. A leopard, skinny but sinuous, built for violence. Her golden eyes fixed on him. He froze. He had not heard the trees rustling at the leopard’s approach, or her paws squelching on the muddy ground, but yet here she was, as though she had appeared from nowhere.
Henry knew, right away, that the leopard was a she. He knew, too, that she was what had been watching him, what had fed on that skeleton until every scrap of meat on it was gone. He expected her eyes to be filled with feral cruelty, but instead they were calm and knowing. The leopard bent to the pond, her long pink tongue lapping up the water.
“You don’t mean to eat me?” Henry asked. He had not spoken aloud for so long, and he shuddered at the sound of himself: so different, growly and rusty. Don’t be slow, he thought. She can’t understand you.
            But the leopard peered up at him. Her tail swished back and forth as though she were pondering his question. She stepped forward, and Henry’s hand went to his knife. It was a short-bladed thing, more suited for spearing bits of food than sparring with big cats, but it was better than nothing. He held it out at her, his hand shaking.
            The leopard gazed at the knife, unblinking, and then Henry heard, You show me your weapon, yet it is you who have come here, and eaten from my trees, and slaked your thirst with my water, and made your bed upon my sand.
            It wasn’t that the leopard had spoken. It was that Henry heard a voice, her voice, in his head, like a thought that wasn’t his own but had wormed its way into his brain nonetheless. The leopard had a sweet, knowledgeable voice, not unlike Miss Baker’s voice when she got to a good part in a story. “I’m hallucinating,” Henry croaked. This is it, Lowery. You’ve lost it.
            The leopard was still, but, again, Henry heard, You have come here, and eaten from my trees, and slaked your thirst with my water, and made your bed upon my sand.
            “I didn’t come here on purpose,” Henry whispered. Oh, his head hurt, as though someone had taken a bat to his skull. He couldn’t think. “If you’re going to eat me, sweetheart, don’t give me a speech first.”
            You would taste of death. The leopard licked her paw, flicking her tongue around her claws. She did not move her eyes from his. The other tasted of death. All of you taste of death.



BIO: S.R. Cambridge is a lawyer and writer living in Toronto, Ontario. Apart from her fiction, her biggest claim to fame is losing on Jeopardy! You can also read her work in Ragnarok Publications' anthology Blackguards: Tales of Assassins, Mercenaries and Roguesand follow her on Twitter (twitter.com/SRCambridge).



Tuesday, October 14, 2014

Haunting the Pages: A Visit with Anthony Crowley




Today on the blog I would like to extend a warm welcome to Anthony Crowley! 



When I initially thought of the idea of “Tombstones” I wanted to gather a series of my poetic visions and showcase them within a sacred anthology. But, feature the written verses in a journey to express various forms of Horror, such as, Dreams, blood drenched erotica, vampires, monstrous creatures and the macabre. “Tombstones” opens with “Awakening” this poetic verse is in the subject of apocalyptic weather. There were many writings I could have used to introduce this collection, but thought to myself it shall work very well and hypnotise the reader to be inquisitive and want to know more about what is within the pages and the title is well suited because I like to think of myself as a dark minded connoisseur of the imagination. Since its release back in early 2014 I was surprised of how positive the reception was towards “Tombstones”. It is still a growing favourite amongst Authors, Poets and readers alike. During the first week of its release it immediately entered the top of the ‘horror anthology’ book charts at Amazon in four consecutive countries, including America, UK, Canada, India, followed by Japan, Australia, Germany. The reviews and comments since the birth of “Tombstones” have been overwhelming with responses; such as “This is amazing work” a response made by popular dark fiction Author   John F.D.Taff whom recently had a short story anthology published titled “End of All Beginnings”.  




 When I began writing “Tombstones” the entirety of the writing from beginning to end was a very dark and secluded time in my life. There is much realism and emotional expression which coincides with some of the dark verses I did chose to include in the book. I wanted to finally open the door of torment and let loose the darkness into the wild so to speak. I have always been visual and extremely expressive in how I approach everything I do. Recently I received another review for “Tombstones” and it came from yet another Author Emily Hill. She very much enjoyed the collection and spoke of one of the verses titled “The Bleeding Man” this what she had to say:

 Poe, Highsmith, and Hitchcock could do no better that what Anthony Crowley has achieved in his collection of horror-themed poetry entitled, "Tombstones".
The acrid breath of predators generating their powers from The Beyond gather on the pages of "Tombstones" waiting for victims, calibrating frailties, and swooping down in screeching tempests -- to the delight of Crowley's fans.




I expect great things from this author! What?? What's that you ask? Oh! My Favorites among this collection? Oh, such a Child's Play -- Firstly, The Fallen Angel with its reference to victorious queens of darkness, followed by "The Devil and The Maiden" (Rosemary's Baby, be damned!) and please, dear reader don't overlook, "The Bleeding Man" which I'm sure that Leonard Cohen would warble quite fittingly.

“A dance with death
Witness of confinement
Mortuary existence
Operational experiment”
Throughout our historical timeline on earth, each and every day has a recollection of horror, whether it is illness (fear) or death.  I wanted to be strong and visual with these poetic subjects. “The Bleeding Man” was my way of imagining I was the character of a dying man upon the mortuary slab. I had to get inside the imagination and express with short descriptive words to tell a poetic story.

“Explosive veins
Skin like thunder
Transfusion shadowed
Blood I am under”

I am extremely proud with the continued success of “Tombstones” it will always be an important part of my literary career.



The month of October will always be another important part of my life because it was during October 21st 2013 that I published “The Fallen Angel” within the pages of popular horror publication “Sanitarium” Magazine. To mark the anniversary of this popular verse I decided to write a conclusion which is titled “Wings of Babylon” which is featured in the forthcoming “Haunted after Dark” magazine issue eight in my regular feature “Crowley’s Crypt”.



That was another proud moment in my writing career when I was asked to be part of “Haunted after Dark” along with the occasional feature in “Haunted Digital” magazines. It is another stepping stone in my life. “Haunted after Dark” is the UK’s leading horror publication featuring some of the most in depth and dark infused articles, interviews and literature. My first instalment of “Crowley’s Crypt” was born in Issue six which was a huge success amongst readers and horror fans. It is another extension of my mind and my disturbed universe. When Issue seven was released it featured an introduction to a new serial killer the dark fiction tale titled “Symphony of Blood”. The story is featured within a few parts which will gradually unfold and reveal nightmares and excite readers throughout the journey in forthcoming issues.


The present time I have been multi-tasking with projects as I regularly do. I had to revise a book I also released near the same time as “Tombstones” due to a few faulty issues which at the time was out of my control. “The Black Diaries” is a series of volumes I shall publish which is an anthology of both fiction and dark verse. “The Black Diaries-Volume One (new edition)” is edited by the talented Simon Marshall-Jones of Spectral Press. The first iinstallmentof “The Black Diaries” is not a big collection, but a strong and visual introduction of the darkness and macabre within. “The Black Diaries-Volume One” is due for release around the season of Halloween this year which is already proving popular before the release date. I have been working on two more short horror fiction tales, the psychological dark tale “Catch Me When I Fall” and  disturbing zombie themed story of “Infestation”. The latter is to be published with ‘Rated Z’.  My long-awaited novella “The Mirrored Room” is also set for release sometime this year hopefully, currently waiting for a confirmed publisher date. “Doomsday after Midnight” is another project I have been compiling featuring ten fiction tales, and it is also nominated in the ‘AuthorsdB’ book awards 2014. The cover artwork is featured with a dark photographic image captured by the fabulous Lauren Carroll (Production Assistant and wardrobe girl of hard rock band Whitesnake, Photographer) . More of Lauren’s Indispensable imagery can be found at whitesnake.com and her Official website at www.dcsocalphotography.com


During 2015 I am launching a new dark literary publication “Dark Realms” it as another one of my many visions I have had for a while now and thought to myself I could make this vision work. It shall include some of the big names in dark fiction and horror, along with interviews, reviews and visual art/imagery. It is already being accepted by many readers and Authors alike prior the launch. I am excited and 100% focused where my creations and ideas in literary horror are going. The only way is forward upon the tracks of the “sinister train”.





                                                         
          Thanks for being on the blog today. It's nice to have a fellow Massacre Magazine author visiting and I can't wait to read more of your work!

Happy hauntings!